JOHN RUSSELL/CV
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SELECTED SOLO EXHIBITIONS & PROJECTS - 2000 to DATE

2011/12 Painting Show, Eastside Projects, Birmingham, November 2011 – Feb 2012
Curated by Sophie von Hellermann & Gavin Wade. Incl. George Best, Ashley Bickerton, Simon Bill, George Condo, Barry McGee, David Musgrave, William Pope.L, Laure Prouvost, Rob Pruitt, RH Quaytman, Alessandro Raho, DJ Simpson, Josh Smith, Alexis Marguerite Teplin, Paul Thek, Richard Tuttle, Markus Vater, Richard Woods, Zheng Guogu.
2011 Ugly clean up, Embassy Gallery, Edinburgh, Oct
2011 Angel of History. I can see for miles. Offsite project. Focal Point Gallery, Southend, November.
2011 Preying Mantiss. Solo show. The Grey Area. Brighton, June – July.
2010 Frieze Sculpture Park commission, Regents park, London, 14–17 October 2010
2010 Explain Death to Very Young Children. O U T P O S T Gallery, Norwich.
Including launch of Issue Four: Negative Space (2010) by John Russell – limited ed. letterpress - Stone Canyon Nocturne Press.
2010 Artist of the Month Club: February. Commissioned print. Invisible Exports Gallery, New York
2008 The Paint. MOT International, London.
2007 Ocean Pose. Matts Gallery, London (cat).
2007 Frozen Tears III. Contributing editor/designer. 800-page horror/theory BESTSELLER, incl. Dennis Cooper, Kool Keith, Bonnie Camplin, Stewart Home, Jeffrey Vallance & Patricia McCormack (Publ. by Article Press, University of Central England). Launch events:[London] Koenig Books, Charing X Rd, (collab. with Koenig Books/Cabinet Gallery); [New York] Dexter Sinister and 205 Club, (collab Creative Time NY); [San Francisco] SF Camerawork.
2007 Lost in The Thinking Sketch, London.
First screening of Lost in the Thinking. Collaboration with Damon Packard & Mark Beasley.
2005 The Visible and the Expressible: Flesh Doesn’t Travel Well These Days. Transmission Gallery, Glasgow.
2005 Geniess. Norwich Gallery, Norwich.
2005 Pourquoi les femmes aiment-elles l’enfer? Confort Moderne, Poitiers, France.
Exhibition of collaborative work - Fabienne Audeoud and John Russell 2000-2005 (cat).
2004 Voicing the Vagina. [Bookworks commission].
In collaboration with Fabienne Audéoud. 8 limited edition posters and film event/installation at Commercial Tavern. Posters also flyposted around London. Toured as part of Infra thin projects to Ikon Gallery, Birmingham and International 3, Manchester. Incl. Mark Leckey and Mark Titchner. Cur: by Mark Beasley.
2004 Frozen Tears II: the sequel.
Contributing editor/designer. 800-page horror/theory BESTSELLER. Launches and readings at: Skylight Books, LA; Jack Hanley Gallery, San Francisco; Maccarone Inc, New York; Moonlighting Night Club, London (in collaboration with Cabinet Gallery); installation at Axxxpresssunizm (2004), Vilma Gold Gallery, London.
2003 Frozen Tears I. Cabinet Gallery, London.
Exhibition of 800-page bestseller novel and posters.
2002 The withdrawal from conversation/the return to the oceanic: the weight of the breast. Twenty women play the drums topless. South London Gallery.
Performance organised in collaboration with Fabienne Audéoud and Wayne Lloyd. Subsequently restaged at Ikon Gallery, Birmingham (2003) and Serralves Museum of Contemporary Art, Porto (2006).
2002 The Collagist. The Trade Apartment, London.
2001 Abstract Painting. The International 3, Manchester.
2000 There is nothing so profane to a man as an ugly woman….Beaconsfield, London.
In collaboration with Fabienne Audéoud, Exhibition of paintings and films.

SELECTED GROUP EXHIBITIONS - 2000 to DATE

2011 After Shelley Duvall 67, in collaborarion with Fabienne Audeoud. Curated by Bjarne Melgaard, Maccarone, New York. September.
2011 Late at Tate, Tate Britain, London. [Screening of 'Vermillion Vortex,' 2010] Friday 2 September Curated by Paul Purgas. Also includes work by Mark Dean, Hannah Perry, Aida Ruilova, Takeshi Murata and Cyprien Gaillard
2011 Narrative Show. Eastside Projects, Birmingham. May – July (Part 2: July –September).
2011 I am not a good enough feminist. Concrete Utopia, New York. May
2011 Songs of the Swamp. Kunsthalle Exnergasse, WUK, Vienna. January - March
2010 A Unicorn Basking in the Light of Three Glowing Suns, The Devos Art Museum, School of Art & Design at Northern Michigan University. Oct – Nov. Cur. Anthony Elms and Philip von Zweck
2010 Grizedale At Tate: Adding Complexity to Confusion: A History of Engaged Practice. Tate Britain, June. Incl. screening of: The Thinking (2004). Dir. Damon Packard with Mark Beasley and John Russell.
2009/10 The Dark Monarch. Tate St. Ives, Oct 2009 - Jan 2010
Incl. Damien Hirst, Henry Moore, Cerith Wyn Evans, Mark Titchner, Eva Rothschild, Simon Periton, Clare Woods, Steven Claydon, John Stezeker and Derek Jarman. Cur. Michael Bracewell and Alun Rowlands
2009 East International 09. Norwich Gallery, Norwich.
2009 Talk Show/True Mirror Microfiche. ICA, London, Saturday 30 May 2009
Performance/reading of ‘Return 0f the living dead III…’. Cur. Dexter Sinister
2009 Sudden White/GSK Contemporary. Royal Academy, London
Incl Cyprien Gaillard, Ryan Gander, Robert Smithson, Jonathan Horowitz, Lisa Oppenheim. Cur. M. Beasley.
2009 Loving Revolution. Kiasma Museum of Contemporary Art, Helsinki
In collab with F. Audeoud. Incl Szuper Gallery and Sari Tervaniemi. Cur. Susanne Clausen.
2008 Ne pas jouer avec des choses mortes. Villa Arson, Nice.
In collaboration with Fabienne Audeoud. Incl. John Bock, Mike Kelley, Roman Signer and Franz West.
2008 A4 Editions, Five Years Gallery, London
2008 Whitney Biennial/Dexter Sinister. Text: ‘Return 0f the living dead III. Clement Greenberg is a conceptual artist: Flatness and Shapism’ (2007), circulated by Dexter Sinister. Incl. True Mirror Microfiche. at The kitchen, New York. Fax performance of ‘Return 0f the living dead III. Cur. Dexter Sinister
2007 Fusion Now, Rokeby Gallery, London.
Incl. Mark Titchner, Liam Gillick, Roger Hiorn and Sam Basu, Cur. JJ Charlesworth.
2007 Intrusions au Petit Palais. Musée du Petit Palais, Paris.
In collaboration with Fabienne Audeoud. Exhibition of works from the FMAC collection. Incl. Roderick Buchanan, Jean-Marc Bustamante, Douglas Gordon and Arnulf Rainer
2007 Off Modern. La Station, Nice.
Collab. with Fabienne Audeoud. Incl. Rita Ackerman, Blood ‘n’ Feathers, Josh Smith and Reena Spawlings
 2006 Right-on/ write-off. Chapman Fine Arts, London.
Incl. David Falconer, Doug Fishbone, Mustafa Hulusi, Mark MsGowan, William Pope l and Eva Weinmayr. 
Curators: The Great Unsigned/J.J.Charlesworth/Mustafa Hulusi.
2006 New art from London. Mogashan Art Village, Shanghai, China; and DIAF 06.798 Space, Beijing, China. Incl. David Burrows, Lali Chetwynd, David Medalla & Martin Westwood. Cur: Anthony Gross/Jen Wu (cat).
2006 On Platforming. Locust Projects, Miami, Florida, USA.
Incl. Nicholas Frank, Gaylen Gerber, Paul Druecke and General Store. Curator: Gean Moreno.
2006 Painters without paintings and paintings without painters. Orchard Gallery, New York, USA.
Incl. Simon Bedwell, Daniel Buren, Merlin Carpenter, Nicolas Guagnini, Jutta Koether, Michael Krebber, Lucy MacKenzie, Blake Rayne, Reena Spaulings, and Cheyney Thompson. Curator: Gareth James.
2005 Post no bills. White Columns, New York.
Collab. With fabienne audeoud. 40 artists incl. Lucy MacKenzie, Bob & Roberta Smith. Fiona Banner, Allen Ruppersberg, Rirkrit Tiravanija, John Waters, John Armleder, Walead Beshty. Curated by Matthew Higgs.
2004 AXXPRESSSUNIZM Vilma Gold Gallery, London (June); and Aliceday Gallery, Brussels.
Co-curator/exhibitor. In collab, with Mark Beasley. Incl. Matt Greene, Brock Enright, Damon Packard, Lorenzo De Los Angeles II, Scott Hugg, Amie Dicke and Jesse Bransford
2004 The Thinking. PS1/MOMA, New York, USA.
Collab. with Mark Beasley, Sam Walls & Damon Packard Part of the Romantic detachment exhibition. Incl. Jeremy Deller, Bedwyr Williams Adam Chodzko and Emily Wadill. Curated by Grizedale Arts.
2004 Videodreams: between the cinematic and the theatrical. Kunsthaus Graz, Austria. Screening of The withdrawal from conversation…. Collaboration with F. Audéoud and W. Lloyd. Incl Janet Cardiff, Stan Douglas, Rodney Graham, Aernout Mik and Tony Oursler (cat).
2003 Now what? dreaming a better world in six parts. Basis voor Actuele Kunst, Utrecht, Netherlands.
Screening of The withdrawal from conversation…. Collaboration with F. Audéoud and W. Lloyd. Incl Phil Collins, Janice McNab and Francesco Vezzoli. Curated by Annie Fletcher and Liutauras Psibiliskis (cat).
2003 Independence. The South London Gallery, London.
Incl. Art & Language, Monica Bonvicini, Marc Chaimowicz, Jake & Dinos Chapman and Gillian Wearing.
2003 Hurts so good. Vilnius Contemporary Art Centre, Lithuania.
Screening of The withdrawal from conversation…. Collaboration with F. Audéoud and W. Lloyd (cat).
2002 Strike. Curated by Gavin Wade. Wolverhampton Art Gallery (cat).
2002 John Moores 22 exhibition. The Walker Art Gallery, Liverpool.
2002 Art crazy nation. Milton Keynes Gallery. Incl. Merlin Carpenter, Jake & Dinos Chapman, Colin Lowe & Roddy Thompson, Sarah Lucas, Sarah Staton, Gary Wragg. Curator Matthew Collings
2001 Woof Woof. In collaboration with Fabienne Audéoud. Curated by Grant Watson and Beata Veszely. Austrian Institute, London. Touring to Project Space, Dublin (Jan 2002).
2001 Gymnasium. In collaboration with Fabienne Audéoud. Curated by Peter Lewis and Wolfgang Fetz. Palais Thurn & Taxis, Bregenzer Kunstverein, Bregenz, Austria (cat).
2001 Becks Futures 2. In collaboration with Fabienne Audéoud. ICA, London. Touring to: Fruitmarket Gallery, Edinburgh; Bluecoat Gallery, Liverpool; Sotheby’s, New York; Laing Art Gallery, Newcastle (cat).
2000 Cover versions. In collaboration with Fabienne Audéoud. Performance of John Russell kills Fabienne Audéoud in the style of William Burroughs. The Trade Apartment, London. November

SELCTED BANK EXHIBITIONS 1995 to DATE

2010 Rude Britannia: British Comic Art. London. June –September.
Six copies of The BANK tabloid (1997) BANK [Bedwell/Thomson/Russell/Williamson] exhibited in group exhibition at Tate Britain.
2010 Grand National. Vestfossen Kunstlaboratorium, Norway May –Oct
Group exhibition, including restaging of the 1998 BANK show ‘Stop Short-changing Us. Popular culture is for Idiots. We Believe in Art’.
2010 So Be It: Interventions in Printed Matter. Roth, New York April – May.
2007 FAX-BACKS Dolores/de Bruijne Projects, Amsterdam.
2006 Bring the War home. Elizabeth Dee Gallery, New York & QED Gallery, Los Angeles.
Incl: John Armedler, Simon Bedwell, BANK, Joel Mesler, Walead Beshty, Backroom, Reena Spaulings, Sam Gordon, Michael Phelan, Scorched Earth, Fia Backstrom, Sara Greenberger, Rafferty, Matthew Brannon, Adam McEwen, Jutta Koether and Kim Gordon, Lizzie Bougatsos, Cur:Drew Heitzler
2006 Fax-Baks [BANK]. Dolores/de Bruijne Projects, Amsterdam
2006 Fast and Loose. My Dead Gallery [BANK]. Fieldgate Gallery, London

Also incl. New Vision Centre, Signals, London Free School, Indica, Arts Lab, Gallery House, The Gallery, Fantasy Factory, Art Meeting Place, B2, NeTWork 21, The Women's Art Library/Make, workfortheeyetodo.
2003 Still life. Touring to: Museo de Belas Artes, Caracas, Venezuela; Museo de Arte Carrillo Gil, Mexico City; Biblioteca Luis Angel Arango, Bogota, Columbia; Museo de Arte Contemporaneo, Panama City, Panama; Museo de Arte Moderno, Guatamala; MAC Niteroi, Rio de Janeiro, Brazil; SESI, San Paolo, Brazil. Exhibiting BANK Dead Life paintings (1999). Incl. Anne Barribal, Martin Boyce, Patrick Caulfield, Nigel Cooke, AK Dolven, Roger Hiorns, Emma Kay, Christine Mackie, Mike Nelson, John Riddy, Jane Simpson, Simon Starling, Rebecca Warren, Gary Webb. Cur: Anne Gallagher/British Council
2003 Subscribe: recent art in print. Center for Curational Studies, Bard College, New York, USA.
Including BANK Fax-bak press releases. Incl. Franz Ackermann, Bank, Gareth James, Dave Muller, Danica Phelps, Ron Terada. Curator: Ingrid Chu.
2002 To whom it may concern. CCAC, Wattis Institute for Contemporary Arts, San Francisco, USA.
BANK Fax-baks. Incl. A. Bulloch, F. Gonzalez-Torres, On Kawara, R. Prince, Gillian Wearing, cur. M. Higgs
2001 Century city. Tate Modern, London. Survey show of London in the 90s. Curator: Emma Dexter.
2000 Protest and survive. Whitechapel Gallery, London. Incl. Tariq Alvi, Thomas Hirschhorn Mel Ramos, David Hammons, Inventory and Giorgio Sadotti Cur. Matthew Higgs & Paul Noble.
1999 Press release (New York). Solo BANK exhibition. Rupert Goldsworthy Gallery, New York, USA.
1999 Dead life. Solo BANK exhibition. Mayor Gallery, 22a Cork Street, London.
1999 Press release (London). Solo BANK exhibition. Gallerie Poo Poo, 34 Underwood Street, London.
1999 Get together. Kunsthalle, Wien, Austria.
1999 East. Norwich Gallery, Norwich School of Art & Design, Norwich.
1998 White3. 3 exhibitions: BANK and Bethan Huws/Art & Language/Lolly Batty. Gallerie Poo Poo, London.
1998 Stop short-changing us. Popular culture is for idiots. We believe in art. Solo BANK exhibition.
Gallerie Poo Poo, London.
1997 Sewage lust. Solo BANK exhibition. Tabloid Launch, ICA, The Mall, London.
1997 Winkle the pot bellied pig and his woodland chums. BANK, Jake & Dinos Chapman, Minimal Club, John Cussans & Ranu Mukhergee, Michelle Griffiths and Russell Haswell. Gallerie Poo Poo, London. Touring to Bricks & Kicks, Vienna.
1997 God. Liz Arnold and BANK. DOG, 34 Underwood Street, London.
1996/7 Life/live. Musée d’Art Moderne de la Ville de Paris, France and Centro Cultural De Belem, Lisbon. Survey Show of British Art. BANK’s contribution: Cool Tears, BANK, Simon Martin and John Stezaker,
1996 Fuck Off. BANK, Lolly Batty, Gavin Turk, Rebecca Warren. DOG, London.
1995 Cocaine Orgasm. Tim Allen, Liz Arnold, BANK, Lolly Batty, Simon Bill, John Cussans & Ranu Mukhergee, Stephen Glynn, Gerard Hemsworth, Soren Martinsen, Muntean/Rosenblum, Chris Ofili, Janette Parris, John Stezaker, Michael Stubbs, Rebecca Warren, Max Wigram, Andrew Williamson. BANKSPACE, Curtain Road London.
1995 The Charge of the Light Brigade. BANK, Simon Bedwell, John Cussans & Colin Lane, Matthew Higgs, 0rphan Drift, Bob & Roberta Smith. BANKSPACE London.
1995 Zombie golf. BANK, Dave Beech, Adam Chodzko, Maria Cook, Martin Creed, Peter Doig, Matthew Higgs, Sivan Lewin, John Stezaker. BANKSPACE London.

BOOKS AND PUBLICATIONS

2011 Beasley, Rowlands and Russell (ed.s). Barefoot in the Head. Birmingham: Article Press.
2007  Russell, John. Frozen Tears III (2007). Contributing editor/designer. Birmingham: Article Press, University of Central England. ISBN 1-873352-59-X.
2004  Russell, John. Frozen Tears II (2004). Contributing editor/designer. Birmingham: Article Press, University of Central England. ISBN 1-873352-68-9.
2003  Russell, John. Frozen Tears I (2003). Contributing editor/designer. Birmingham: Article Press, University of Central England. ISBN 1-873352-88-3.
1996-7 BANK [Bedwell, Simon, John Russell, Milly Thomson & A. Williamson]. BANK Tabloid. 34 issues.
1992-6  BANK [Bedwell, Simon, John Russell, Milly Thomson & Andrew Williamson]. BANK Catalogues. Including Fuck off (1996), Cocaine orgasm (1995), The charge of the light brigade (1995), Zombie
Golf (1995), Wish you were here (1994), Space international (1992)

SELECTED TEXTS AND PUBLICATION PROJECTS

2011 Russell, J. ‘A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End.’ in Beasley, Rowlands and Russell (ed.s) Barefoot in the Head. Birmingham: Article Press.
2011 Russell, J. ‘Dear Living Person,’ Mute. Volume 3 No. 1, Spring/Summer 2011: 112 -122. First published: Metamute, February, 2011 http://www.metamute.org/en/articles/dear_living_person
2010 Russell, J. Vermillion Vortex (2010) Commissioned animated film & cartoon strip. Art Review Magazine, Nov.
2010 Russell, J. ‘Is the idea of British art a British fantasy?’ Conversation with Cedar Lewisohn. In GBAD Fanzine. London Tate Publishing: 4-5 & 12-13.
2010 Issue Four: Negative Space (2010) by John Russell – limited edition letterpress print - Stone Canyon Nocturne Press.
2009 ‘Fairie Poem’ in (eds) Rowlands, Bracewell & Clark, The Dark Monarch: Magic & Modernity in British Art, Tate Publishing, 2009 pp.175: 143
2009 Russell, J. 'Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle' Artist project, Frieze magazine, September 2009: 108-111.
2009 Russell, J. ‘Untitled [Mummy]’ 2008 in Fools Gold Issue 1: Practice and Improvisation in performance Edited by Lucy Keaney, Edinburgh: Edinburgh College of Art,
2008 ‘Untitled [Butterfly]’ 2008 in Uncle Chop Chop Magazine 4 Ed. Beagles, J and G.Ramsay. Edinburgh: Edinburgh Col of Art: 2008
2008 Russell, J. 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism.' In Gest / Laboratory of Synthesis. Ed. by R. Garnett and A. Hunt. London: Bookworks, 2008: 81-99. Also distributed by dot dot dot magazine/Dexter Sinister as part of Whitney Biennale, 2007.
2008 Russell, J Mute Magazine (Cover Design). Vol 2, No. 8, May 2008
2007 [Russell, John]. Bailey, Stuart, Will Holder, Louis Luthi & John Morgan Semantic poetry translation (after Stefan Themerson) of ‘Tourettes Syndrome’ (after john Russell). Translation of ‘Tourette syndrome: instantaneously present’ (2002) by S Bailey, Wl Holder, L Luthi & J Morgan. In Dot Dot Dot Magazine 13.
2007 Russell, John. ‘Ocean Pose’ (2007). Catalogue Text. In Ocean Pose. London: Matts Gallery. ISBN 978-0-
907623-56-4.
2005 Audeoud, Fabienne & John Russell. Pourquoi les femmes aiment-elles l’enfer? Confort Moderne,
Poitiers, France.
2004 Russell, John. ‘Frozen Tears’ (2002/3). In Frozen Tears I. Birmingham: Article Press, Univ of Central England: 535-642.
2004 Russell, John. Commissioned artist project in Sleaze Nation magazine. Pages 105–111. June 2004
2002 Russell, John. 4 Reviews: ‘Patrick Brill and Wayne Winner’; ‘John Cussans’; ‘Virginia Nimarkoh’;
‘Ramsay/Bird’ (2002). In 100 reviews (backwards),’ Edited by M. Arnatt, M. Collings, C. Grassi.
London: Alberta Press. (ISBN 3-88375-649-0).
2002 Russell, John. ‘The Collagist’ (2002). Press release text for ‘The Collagist,’ exhibition 2002. Reprinted in: Strike. Edited by Gavin Wade. London: Alberta Press, 2002: 44–45. ISBN 3-88375-637-7. And in ‘Tourette/for the Publick Good (2003). Edited by Will Stuart. Pages 13-15.
2002 Russell, John. ‘Interview: John Russell & Janette Parris’ (2002), in Hylton, R. The best of Janette Parris. London: Autograph Press: 56–61
2002 Audeoud, F. & J Russell. Cat. text, You Can’t Raise up the Working Classes By Telling Them They are Poor’. In Hurts so good, Vilnius Contemporary Art Centre, ISBN 90-72076-17-6
2001 Russell, John. ‘Tourette syndrome: instantaneously present’ (2001). In Abstract Painting (cat)
International 3, Manchester. Pages 7–8
2000 BANK [Ed.s S. Bedwell and M. Thompson]. BANK. Black Dog Publishing. ISBN 1-901033-42-2.
1999 BANK [Bedwell, Russell & Thomson]. ‘If hope were a time machine ‘(1999). Catalogue text. If hope was a time machine. Solo BANK exhibition. Magazin 4, Bregenz, Austria.

TALKS/CONFERENCES

2011 ‘Dear Living Person’, at A Dying Artist (convened: Ed Atkins and Siôn Parkinson) ICA, London 23 April.
2010 ‘The End’ at Existential Territories Symp., (convened Bookworks), at Form Content, London, 17 July.
2010 ‘The persistence of Objects.’ At Radical Aesthetics-Radical Art' Symposium, Loughbrugh Univ School of Art and Design 17th February.
2009 ‘Visualising Ideas’ at ISEA, University of Ulster, Belfast, August
2009 ‘Visualising Ideas,' at 'What ... Theory?' PhD symposium at Goldsmiths, London, 27 October
2006 'A Rough Guide To … Bad Art. Albert Oehlen.' Talk/Workshop. Arnolfini, Bristol (with Mark Beasley).
2006 'The Crisis of Limits' at On liberty and art. Conference. Tate Britain. 18 October.

EDUCATION
1998–99 Goldsmith’s College of Art. MA (History of art)
1986–88 Slade School of Art. Higher diploma (Fine art: painting)
1983–86 St Martin’s School of Art. BA (Fine art: painting). First class hons

EMPLOYMENT
2006 to date Reader in Fine Art and Director of Research (Fine Art). School of Arts and
Communication Design, Reading University.
2001–2007 Kingston University. Postgraduate Scholarship. PHD ‘Staging the event: performative
strategies in contemporary art’
2001–2006 Research Fellow (0.25 ) The London College of Communication, University of the Arts,
London.
1996–2006 Associate Lecturer. The London College of Communication, University of the Arts, London.School of Arts & Communication Design.
2000–2001 Wheatly Bequest Painting Fellowship, University of Central England, Birmingham. Fine art
1998–2001 Senior lecturer (0.2). University of East London. MA Fine art.
1991–2006 Associate Lecturer: Chelsea School of Art, Camberwell College of Art, Central/St Martins
College of Art, the Royal College, Kingston University, Goldsmiths University, Middlesex University,
Leeds University, Oxford Brookes University, Winchester University, University of Central England and
Sunderland University

GRANTS AND AWARDS

2009 AHRC Research Grants - Practice Led and Applied
2009 Arts Council of England, Grants For The Arts. Individual Artist Grant.
2007 Arts Council of England, Grants For The Arts. Individual Artist Grant.
2007 British Council, Individual artist grant.
2004 Arts Council of England, Grants For The Arts. Individual Artist Grant.
2003 British Council, Artists Travelling Abroad Award.
2002 AHRB Small Grants in the Creative and Performing Arts.
2001 Becks Futures Prize, Becks Futures II, ICA London.
1999 British Council, Artists Travelling Abroad Award
1997 Paul Hamlyn Artists Award (runners-up)
1997 National Association of Artists, Events Grant.
1997 British Council Travel Award
1996 London Arts Board, Exhibitions & Events Award.
1996 Arts Council of England, Touring Shows Award,
1996 Northern Arts, London Arts Board.
1995 London Arts Board, Exhibitions & Events Award.
1995 Arts Council of England, Touring Shows Award.
1995 Baring Trust Award
1995 Elephant Trust Award
1994 London Arts Board, Exhibitions & Events Award.